Space, Time, Continuum

This blog was written for the RJCL Program and the Jewish Federation’s Centennial Mission to Israel.

In spacetime, the separation between two events is measured by the interval between the two events, which takes into account not only the spatial separation between the events, but also their temporal separation. — Wikipedia, “Spacetime”

We are walking the streets of Tel Aviv.  I feel at home here.  I always do.  It’s my fourth time in Israel.  I’ve done this before.  I’ve seen this before.  I’ve been here with my family, I’ve taken tours, I’ve been on Birthright.  I am not easily impressed.  But something is different this time.  It’s just a feeling.

We go to Neve Tzedek, where Tel Aviv began.  We go to Rothschild Boulevard and The Dizengoff House, where modern-day Israel began (declared by a Russian Jew named David Grun and I stand just feet from where he stood, listening to his words).  We walk from the ancient port of Jaffa to our hotel in Tel Aviv; it takes half an hour, but we traverse a history of nearly 10,000 years.

I’m starting to feel it, the density.  But no, not yet.  It’s just a fleeting feeling and I return to my escape, hiding safely behind my camera.  I take pictures.

An hour on the bus, and we’re in Caesaria, in the Roman Empire at its height.  Our guide, Boris, points out the Cardo – the Roman “heartline” of the city.  Another hour and we’re in Haifa, where my grandfather lived under Turkish rule in 1914.  Then back to Jaffa easily in time for dinner.  Israel is small.  I know this.  It’s nothing new.  Two hours and we’re in Jerusalem.

It’s starting to form, this feeling.  I take more pictures.  I take 2,000 in the course of 8 days.

We walk to the Old City, where the first Jewish state began.  I touch the Western Wall, but it does not touch me.  I’m too far removed by generations of Sovietization.  Too logical and skeptical.  After all, this now-holiest site is but the outer wall to the complex built for the actual holiest site which is forever lost to us.  Just a few yards away in one tiny spot fought over by nearly every major power in the name of their god and empire, lies the first piece of land created by God — a rock, if you will.  I turn to go.  Then I see the soldiers.  Their large black automatic rifles bounce against them like toys as they dance and sing joyfully in a circle with ultra-orthodox men in their long black coats.  I am touched.

There is no bus tour today.  This day is Shabbat, the holy day of the week observed by our nation for millennia in this very city.  Today we walk Jerusalem.  Every quarter, every corner, every angle I can point my camera at has it.  That feeling.  Every story Boris tells us brings it into sharper focus.   Construction-Destruction-Defiance-Survival-Reconstruction-Repeat.

It finally hits me.  Not at a holy site, although every square inch here is holy to me.  Rather, at what might look like a ditch with columns.  I take picture number 1,462.  It’s not a ditch, Boris tells us, it’s the Cardo some 15 feet below “ground level.”  In between where we walk and that ditch 15 feet below us is 1500 years of Jerusalem on top of Jerusalem.  Of Jewish people living, building, suffering, surviving, rebuilding.  100 years of time per foot of space, with many more centuries below it.  That’s density.  That’s the feeling I’ve been relegating to the back of my mind and can no longer repress.

My physics lessons flood to my mind.  Einstein taught us in the theory of relativity that time itself can appear to slow down dependent upon the velocity of the observer and the gravity (a function of dense mass displacing the fabric of space-time) of the area.  He hadn’t been here yet, but surely he would have felt it here as I do now.  In space, distance is measured in light-years – the 6 trillion miles that a beam of light traverses in the course of a year.  In Jerusalem, one foot is equal to 100 years.  Coincidentally, Einstein too, was a Zionist.

Now it all comes together.  When we first arrived, someone told us that the distance between us and our ancestors – our families – that were driven from here in to the Diaspora is approximately 120 generations.  My family may have left and returned multiple times, others stayed the entire time, but WE have been here for thousands of years.  No.  I take it back.  We have not been here for thousands of years.  This is not ancient history.  We have only been here for 15 feet.  Close enough to touch, see, feel and breathe the entire history of our people.

From the birth of our nation in Jerusalem to Mossada – where the last Jewish state officially ended in a heroic stand of defiance against the greatest power in the world – to the birth of our new state at Independence Hall – where proclaimed our right to have a home, not just some arbitrary place on this planet but in the place we created, built and lived in for thousands of years – we not just from here, we are OF here.

As the Romans had their Cardo – the through line of their cities – we have Israel: an unbroken continuum, the through line of our nation.  Once again, and in a much, much deeper way, I am home.

 

From AllieCine.com:

FOR IMMEDIATE RELEASE

Contact: Allison Vanore

office 323.540.4701

“PURGATORY, INC.” A slice of death office comedy.

Los Angeles, CA: Friday, June 25, 2010 – Award winning writer and director Boris Kievsky, award winning producer Allison Vanore and co-writer/actor, Konstantin Lavysh, bring you short subject film and back-door web pilot, “Purgatory, Inc.”  Starring Lavysh as the Clerk and Patrick Cavanaugh (Mad Men) as Christopher McNamee, “Purgatory, Inc.” is a satirical comedy set in the ethereal world of the eternal bureaucracy that is Purgatory, Inc. – the IRS of the afterlife.

More now than ever, the issues set forth in this film, religion and gay marriage, are even more important. These topics were inspired by the discussion surrounding Proposition 8.  Although the law passed, “Purgatory, Inc.” will not let the discussion die.

Synopsis: Clerk is your typical office worker stuck in your typical office Hell. Well, almost. Welcome to the eternal bureaucracy that is Purgatory, Inc – the IRS of the afterlife. When Christopher McNamee materializes in Clerk’s cosmic cubicle after dying in a freak accident, it falls to Clerk to sort out his afterlife. Christopher should be an easy candidate for Heaven, except for one slight problem: He’s Catholic…and married…to a man! Suddenly Clerk is forced to reconcile the wishes of his dead client with the policy of Purgatory, Inc: ‘We don’t judge…We process’. It’s just another day of deciding your eternity in this slice of death office comedy.

Kievsky comments: “Purgatory, Inc. uses its unrealistic setting to tackle some of the very real issues facing society today – much like Twilight Zone and Star Trek did their time, only with humor.  Aside from corporate bureaucracy gone amok, the pilot has some fun with the hypocrisy of gay marriage rights in religion.  I’m not interested in just telling a story, I’m interested in getting people to think, laugh and then think again.”

“Purgatory Inc.” enjoyed its premiere screening as part of Hollywood Shorts in Los Angeles and is available for festival screenings and distribution.  Future episodes are written and available for production should the right opportunity arise.

A trailer for “Purgatory, Inc.” is available on the official film website http://www.purgatoryinc.com with team bios and additional information at www.purgatoryinc.com/thefilm.  A private screener is available upon request.

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For additional information, contact Producer and Publicity Manager Allison Vanore and visit http://www.purgatoryinc.com.

 
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