Evan Alboum, Rabbi Task – Evan is recently back from a long trip to Los Angeles where he appeared in several national commercials, some award-winning and non-award winning short films and a couple of cheesy murder mysteries, as well as the world premiere of End of the World Party starring Jim J. Bullock. Other Los Angeles productions include Amadeus (Mozart), The Amercian Clock (Sid/Ryan), Man of La Mancha (Barber/Anselmo), Fiddler on the Roof (Motel), Servant ofTwo Masters (Waiter), Much Ado About Nothing (Dogberry) and two original works at the now-exiled Pig Latin Embassy. Closer to home he has performed in Hamlet, Rosencrantz and Guildenstern Are Dead, Midsummer Night’s Dream, It’s Called The Sugar Plum and Sweeney Todd, among other stuff. He has spent one looong season at the New Jersey Shakespeare Festival and two short seasons with the New England Shakespeare Festival (Comedy of Errors and As You Like It), which religiously adheres to unrehearsed first folio technique, not to mention rotating roles on a nightly basis. Evan started his career as a corporeal mime, touring in Italy with the Oberlin Mime Players and with the Adaptors Movement Theatre in New York. He continues to perform with Pink, Inc. He studies acting with Suzanne Shepard and voice with Lynda Sharman and teaches music in the public schools.
Deborah Baum, Snag – is a 2001 graduate of Hofstra University with a BFA in Acting. Favorite past credits include; Pride and Prejudice (Elizabeth Bennet), Love’s Labours Lost (Princess of France), ‘Night Mother (Mama), Two Noble Kinsmen (Emilia), King Lear (Regan), Picnic (Millie), for which she received an Irene Ryan nomination, Steel Magnolias (Shelby and Annelle), Hamlet (Ophelia), The Wisdom of Eve (Eve Harrington), The BabyDance (Wanda) and Noises Off (Brooke). Off-Off Broadway: WWOW Radio Mystery Evening (Thelma/Studio Singer), Spike Heels (Georgie) and Every Third Thought (Dolores). Film: Bound Words, Glory Days, The Devil and Daniel Webster, A Beautiful Mind.
Gwen Brownson, Sheeva – Gwen Brownson is a transplant to New York from Los Angeles where she received her B.A. in Theatre Arts from UCLA and subsequently spent several years doing theatre and independent film work. In L.A. Gwen was an active member of Theatre of Note as well as the Greenroom Theatre Company where she produced a successful run of her own original theatre piece, Aftershock.  She has performed at The Rita and Burton Goldberg Theatre, Manhattan Theatre Source, Actor's Circle Theatre, The Complex, LATC, and The Actor's Theatre of Seattle to name a few.  Most recently she was featured in the premiere production of the award winning new play Killesville as part of the new playwrights festival at NYU. She would like to thank Mac for writing such a fabulous play and Boris for taking on the challenge.

Max Davis, Tillic – NY Credits: Flute/Thisby in MidSummer Night's Dream (REV Theatre Company), Roger in Raised in Captivity (The Outsider Collective), Reuben in Hidden in this Picture (The Playhouse Theatre) Regional Credits: Arthur in Camille (Olney Theatre Centre), Officer in Comedy of Errors (Olney Summer Shakespeare) Dance Credits: Ensemble Dancer in Coyote Dancers Present...(Kaye Playhouse). Max is a graduate of the Neighborhood Playhouse.
 Favorite Ice Cream: Cappucino Commotion
Michael Frederic, Ehren – New York: The Merchant of Venice; Hamlet; A Christmas Carol; No Meat, No Irony; Five Women Wearing the Same Dress. Regional: Gross Indecency (dir. Loretta Greco), As You Like It (dir. Tazewell Thompson), The Threepenny Opera (dir. Bart Sher), Violet (dir. Drew Barr) with PlayMakers Rep, Play by Play with StageWorks, The Comedy of Errors with the Saratoga Springs Shakespeare Festival, Assassins with Open Stage of Harrisburg. Other regional credits include Professor in Tracers, Mr. Ablett in Trelawny of the ‘Wells’, Henry in Mr. Lucky (a one-man piece which he wrote), and Clive in Masterpieces (which was performed in Hamburg, Germany). He is originally from Lafayette, Louisiana, and he makes a mean jambalaya. Training: MFA from UNC-Chapel Hill.
Babs O., Shockeye – Babs performed in a summer production of King Lear (Edmund the Bastard) with the Hudson Shakespeare. He recently appeared in the off-Broadway show Counting Coup at La Mama. He is glad to be back at HERE with the Theatre of Relativity. Babs dedicates this performance to his dad.
Giovanni Pucci, Jonah – Regional: Terminal (Joseph Chaikin, director), A Midsummer Night's Dream (Marion McClinton, director), Harvey (Douglas Hughes, director), all at the La Jolla Playhouse. Huey in Italian-American Reconciliation at the Seven Angels Theatre; Dominick De Caesar in Wrong Turn at Lungfish at the Boarshead Theatre. Giovanni was last seen in New York as Tranio in Taming of the Shrew at the Abingdon Theatre. He is a recent graduate of the William Esper Studio. Many thanks to Boris, Edwidge, the cast, and to Suzanne Esper, to Jutta Rose, and to his family.
Brad Russell, King Memnon – Brad is a graduate of Boston University’s School of the Arts, where he played leading roles in a wide variety of plays, including the major modern and classical works. After a two-year hitch in the Army, Brad was immediately cast in Lute Song, at Cincinnati’s Edgecliff Theatre. On the road he was featured in the Frank Casaro production of Cervantes (starring Richard Kiley), in a 30-city tour of the U.S. and Canada. Roles in stock and regional theater include: Judge Wilson in 1776, Stanley in Five Finger Exercise, Mortimer in The Fantastics, and Nick in Joe Orton’s What the Butler Saw. In NY, Brad studied with Herbert Berghof and Michael Shurtleff. New York roles include: Teddy in The Homecoming, Hank in Boys in the Band, Paul Gauguin in Strangers on the Earth, and Gov. Slaton in The Lynching of Leo Frank at the Medicine Show. Offstage, Brad relaxes with his two cockapoos: Cowboy and Andy.
Ben Scaccia, Little Bitch – Ben is excited to be making his debut with Theater of Relatvity at HERE. Ben was recently seen as an over-zealous, zany actor-type (go figure) in Random Acts #2 at Looking Glass Forum, as a soup-craving nerdo-neurotic in The Wicked Quarter Mile at ATA and (if you had found yourself meandering around southern Vermont late summer last year) as the Gentleman Caller in The Glass Menagerie. He is a recent graduate of the William Esper Studio where he studied with Bill Esper for two mind-bending, wrenching, ecstatic years. During a jaunt on the left-side of the continent (San Francisco), Ben's favorite roles included a muck-slinging medieval hedonist in Caryl Churchill's Light Shining in Buckinghamshire and a starving artist in the absurdist vein in Ionesco's The Painting. Ben would like to thank Leanne for her unbelievable eye, mind and heart and his mom for her unending wisdom and support.

Steve Spehar, Scaro – A Chicago native, equal parts Midwestern and California boy, a graduate of San Francisco State University, and gypsy-youth-bred-gypsy-adulthood, Steve spent a fair portion of the last two decades not sitting still much―living and wandering throughout California, North America, Europe, North Africa and South America.  He finally settled in New York just over five years ago and now can't imagine being anywhere else.  Most recently he appeared as Jacques (and other roles) in As You Like It for the New England Shakespeare Festival.  Before that, he was Antipholus/Ephesus in Comedy of Errors, also for NESF.  Other NY credits:  A Midsummer Nights Dream and Twelfth Night (Miranda Theatre); both parts of Henry IV (for Expanded Arts' notorious Shakespeare-in-the-Parking-Lot series); Salome (Kraine Theatre);  Mary Stuart (Columbia U.); Taming of the Shrew (Expanded Arts);  Blood Knot (New Day Repertory); and Moonchildren (Sanford Meisner Theatre).  Other credits include Lloyd in Mud, Jake in  A Lie of the Mind, The Tempest, and numerous original works for Revolving Door Productions, a theatre company based in Fullerton, California, of which he was a founding member;  The Bus Plays for LA's Cornerstone Theatre Co. at the Museum of Contemporary Art;  Becket at Second Stage in Hollywood; The Unseen Hand at Theatre Rubin in Prague, shortly after the Wall came down, Boy, Girl & Probability at the Kafka Theatre in Prague, and the Edinburgh Festival premiere of the Vietnam drama Tracers.  Steve also directs and is a playwright with several credits, most recently his play The Frontier for Audacity Productions in Dallas, TX.  Audacity will be producing his play Sug as part of the Tom Waits' inspired Small Change Project in Dallas in early 2003. 
Caroline Tamas, Veetra – Caroline Tamas most recently performed in Venus Fly Trap's dance/theater piece Stalking Christopher Walken for the 2002 N.Y.C. Fringe Festival. Previously, she toured with The National Theater for Children, co-performed/co-created the production of Dario Fo's The First Miracle of the Boy Jesus for the 2001 Philadelphia Fringe Festival, worked as company actor with Northern Stage in Vermont; including their production of Wit with Lisa Harrow and Mayella in To Kill A Mockingbird, toured Germany with American Drama Group Europe in A Christmas Carol, and Interborough Repertory Theater's The World In My Hands a Helen Keller story here in New York.
Sonia Tatninov, Ayla – Sonia Tatninov is very excited to be working with this cast & production team. She has been seen in various NYC productions including the title role in, The Snowmaiden with the Vital Children's Theater Company; playing the LES Raver Sprirt Iris in Shakespeare-in-the-Parking Lot's, The Tempest. As Bobbie in the Gallery Player's Tunnel Phobia; and in Hibakusha Outcry with the IRT. She toured the NY Metro area and the Czech Republic in 36 Exposures with the GATE Acting Ensemble. She can next be seen in a Columbia MFA Directing collage of The Seagull, performing the role of Paulina in both Russian and English. Sonia is a graduate of Oberlin College.
Trace Turville, Rebekah – A recent transplant from Los Angeles, The Sky Over Nineveh marks Trace’s New York stage debut. Los Angeles theatre credits include Marle in Futon Dialogues; Helen Hill in The Break Up Notebook—recently nominated for a 2001 GLAAD Award; Emily in Oxblood's production of Debt; Taylor/Cassidy in Actor!; Adele Harms in the World premiere of Self Portrait Nude; Dot in Mrs. California; Storm in Eve Ensler's Floating Rhoda & The Glue Man; and The Duchess in Bertolt Brecht & W.H. Auden's adaptation of The Duchess of Malfi, for which she received a Garland Award from Back Stage West/Drama-Logue, and an L.A. Weekly nomination. Trace has performed regionally as Alison in A.R. Gurney's The Old Boy with Spokane Interplayer's Ensemble, Irina in Three Sisters with Atlanta-based Playground Theatre Co., and Sylvia Plath in Letters Home at the Seattle Public Theatre. Television credits include The Guardian, The Young & The Restless, Sister, Sister and ABC's MOW Tempting Fate. Independent film credits include Sway, The Spider, David Proshker, Hide, and Love Liza (Sundance 2002/December 2002 theatrical release). Trace holds a M.F.A. in Acting from California Institute of the Arts. Much love and thanks to Peter and my family.